Book Review: Velvet Was the Night by Silvia Moreno-Garcia

Book #272 of 2021:

Velvet Was the Night by Silvia Moreno-Garcia

The best part of this historical noir adventure is its setting of 1970s Mexico City, as rendered in rich #ownvoices detail from author Silvia Moreno-Garcia. I don’t love the overall story as much as her previous titles Certain Dark Things and Mexican Gothic — perhaps because those fantasy horror pieces had more genre flair — but its era of government corruption, secret police, and student protests offers both a distinctive environment and a valuable history lesson. The actual plot, however, which involves the alternating hunts for a witness by her catsitting neighbor and an intimidating gang member, feels somewhat perfunctory, and I especially don’t care for how the one protagonist falls for the other as soon as he sees her, before they even speak. This is also the sort of novel that repeatedly calls its heroine unattractive only for multiple men to suddenly avow that she’s beautiful once she gains her confidence or something, another trope I’ve never particularly enjoyed.

The hardboiled elements are fine for what they are, but the text as a whole seems to be constructed primarily as a vehicle to discuss the real time and space surrounding these inventions. And although that angle is carried out very well, it’s just not all I’m looking for in the fiction that I read.

[Content warning for gun violence, sexual assault, and racism including slurs.]

★★★☆☆

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Book Review: The Departure by K. A. Applegate

Book #271 of 2021:

The Departure by K. A. Applegate (Animorphs #19)

Cassie is in crisis. The latest Animorphs battle wasn’t even that bad by the scale of what they’ve faced before, but as sometimes happens, it was enough to push her to a breaking point. A pacifist teen forced yet again to kill, she announces to her friends that she’s quitting their guerilla war against earth’s alien infiltrators. And that’s just the opening chapter of the book.

This heroine has always been the moral backbone of her group, so she was inevitably going to be the first one to seriously try to walk away from the fight, but I’m glad that author K. A. Applegate waited until this far into the series to pull the pin on that plot. We need to have seen all the horror and trauma these kids have experienced, not to mention their own growing ruthless effectiveness, for the decision to carry the weight it deserves. We may suspect as readers that the status quo will be restored and Cassie won’t be gone for good, but in the moment we can wholly buy into her choice to leave as we wouldn’t have been able to earlier.

And then the novel keeps going and shifts gears, stranding the protagonist in a Hatchet-esque wilderness survival story deep in the woods with only a Yeerk Controller who now knows she can morph for company. With her secret discovered, the warrior can’t be allowed to live — except Cassie is weary of killing, and her opponent is in the body of a young child who doesn’t deserve to pay that cost either. There’s simply no great answer here. The futility of the situation allows for tense but frank conversation between the two rivals, and what emerges from that dialogue is pretty remarkable.

Over the course of this volume, the human and the Yeerk bare their souls to one another, each developing a better understanding of the other’s perspective. This Enemy Mine dynamic isn’t stable, but it’s a welcome addition to a franchise that has previously avoided any real shading to the character of its bad guys. Aftran 942 confronts Cassie (and us) with the fact that her* species is made up of individuals, and that a lowly soldier doesn’t have much control over their orders. She also highlights the parasite’s biological imperative to enslave a host, and questions if that’s really any less ethical than humanity’s feeding on other animals ourselves. It’s easy to imagine a different Animorph staying unmoved by that argument, but it shakes Cassie, especially once her counterpart describes what it’s like to go through life as a blind and helpless slug.

In the interest of avoiding spoilers I won’t get into a few big twists near the end, but they continue to exhibit the protagonist’s commitment to her ideals as well as the current bleakness of her spirit. And in that context a certain scene alluded to on the cover plays out less like a cheat or a retcon as it might, and more like a beautiful metaphor for finding hope after a period of despair. The team has emerged from this ordeal shattered yet resolute. Just in time to meet David next…

*Although not addressed in the text, Aftran is alternately referred to as she, it, and he in decreasing frequency. We also learn that Yeerks procreate via a trio merging together and then dissolving into smaller pieces that grow into grubs. Space sex is weird!

[Content warning for body horror and gore.]

★★★★★

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Book Review: D (A Tale of Two Worlds) by Michel Faber

Book #270 of 2021:

D (A Tale of Two Worlds) by Michel Faber

Not bad, but a pretty typical novel of the child-goes-to-another-world-to-have-a-series-of-strange-encounters variety, a la The Phantom Tollbooth, Alice’s Adventures in Wonderland, and so forth. The most distinctive part of this book is also its most frustrating, as there’s no consistent and coherent explanation for the disappearance of the letter D which forms the main driver of the plot. At the beginning of the story, street signs have been magically altered overnight, nobody except the heroine seems to remember that ogs and onkeys used to be dogs and donkeys, and people don’t understand when she tries to point out what’s missing from their speech. Later on, however, it’s clear that a dictator beyond the portal has simply banned the sound, and his own citizens sometimes slip up and speak a word with it even though that’s against the rules. We never do learn how the villain is affecting our dimension, why the results are different here versus there, or what’s made the protagonist immune to the spell (?) in the first place.

Granted, that haziness to the storytelling might not bother a younger reader, but the rest of the text is less memorable, offering a paint-by-numbers sequence of misadventures with little linking those random setpieces into a narrative of rising action. Some early gestures at character arcs likewise lead nowhere, and the worldbuilding in Liminus fails to develop enough gravity of detail to ever seem like a fully-formed idea of a setting. For all these middling elements yet overall competence, I give the work 2.5 out of 5 stars, rounded up.

[Content warning for racism.]

★★★☆☆

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Book Review: Sad Cypress by Agatha Christie

Book #269 of 2021:

Sad Cypress by Agatha Christie (Hercule Poirot #22)

A curious story. The first half of this Agatha Christie mystery reads almost like one of her pseudonymous Mary Westmacott romance / character studies up until the murder happens, and then when Poirot finally makes his entrance, he doesn’t spend much time investigating before we cut away to a courtroom drama, with the defense using the detective’s findings on behalf of the suspect, proceeding witness by witness to eventually reveal a more likely culprit. It’s an interesting departure from the writer’s usual style, but a pretty straightforward case overall, not to mention one where we aren’t given access to all the clues that help solve the puzzle. That’s not my favorite mode for the genre, despite the otherwise-welcome signs of creative experimentation.

[Content warning for antisemitism and assisted suicide.]

★★★☆☆

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TV Review: Brooklyn Nine-Nine, season 8

TV #73 of 2021:

Brooklyn Nine-Nine, season 8

Over the course of its history, the writers and cast on this police sitcom have appeared increasingly uneasy with its role as copaganda, leading to public statements and scripts that openly engage with institutional abuse and other social justice issues. For this last season, written in the wake of the George Floyd murder and subsequent high-profile protests, that’s been pushed even further, and it wouldn’t surprise me if some fans feel the program has grown too preachy by the end.

Personally, though, while I agree that that’s probably what this year of the show will be best known for, I think it’s gone right up to the edge of how effectively a comedy about cops can critique its own subject without sacrificing any of the humor. Rosa has quit the force to become a private eye helping people with police misconduct cases, John C. McGinley is on hand as a craven union boss doing everything in his power to shield his officers from any sort of accountability, and Amy and her fellow detectives are fighting for whatever slight reforms they can manage to get through the stodgy bureaucracy. It’s not enough, and these protagonists are called out for acting like they’re the good guys and not still part of the problematic system that is modern policing. But there are jokes to be told within that space, and Brooklyn Nine-Nine remains committed to telling them.

(Unrelatedly, Hitchcock mostly appears via video-screen — because his actor is immunocompromised, and this was also made in the time of COVID-19. Although the pandemic is soon dropped as an actual plot point, it’s another stark reminder of our current moment that will likely age differently than the earlier material.)

All in all, it’s an effective run, particularly as a farewell to a long-running series that could sometimes seem nearly out of steam and had already escaped cancellation once in the network switch from Fox to NBC. These final episodes don’t burn things to the ground as much as a defund-the-police advocate might want, but they likewise don’t shy away from certain ugly truths about the profession, in and among all the expected fun callbacks and touching resolutions to individual character arcs. It’s stronger than this title has been in a while, and a fine note to go out on. Nine-nine!

This season: ★★★★☆

Overall series: ★★★★☆

Seasons ranked: 3 > 5 > 8 > 2 > 4 > 7 > 6 > 1

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Book Review: The Witness for the Dead by Katherine Addison

Book #268 of 2021:

The Witness for the Dead by Katherine Addison (The Goblin Emperor #2)

I’ve enjoyed this spinoff sequel to 2014’s The Goblin Emperor, but I don’t love it nearly as much as the original novel. Leaving the imperial palace and its lonely ruler behind, we’re instead presented with a low-stakes, street-level plot of the titular detective-cleric investigating various murders and other death-related mysteries (questions over which version of a contested will is legitimate, outbreaks of cannibalistic ghouls, etc.) around his steampunk fantasy city. This works best as a character and worldbuilding study — although the latter of course leans heavily on the foundation of its predecessor — yet somewhat less as a compelling story to house them. I might have liked it all better had my expectations not been quite so high, but this is far from the follow-up I wanted to such a charming debut.

★★★☆☆

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Book Review: This Is Not the Jess Show by Anna Carey

Book #267 of 2021:

This Is Not the Jess Show by Anna Carey (This Is Not the Jess Show #1)

I love the premise here, which is like a YA mashup of The Truman Show with The Running Man, but I’m less sold on the execution. Partly that’s a matter of structure: our teenage protagonist spends the first half of the novel gradually figuring out that she’s been the unwitting subject of a reality show for her entire life, and then the second part on the run with the producers and complicit audience members trying to track her down. These sections feel very discrete to me, and since the ending is so open and anticlimactic with at least one sequel on its way, I think it would have been better to just split this initial volume into two and develop them both further.

And that’s needed, because the version that’s published is curiously flat in a few key areas. The early gaslighting from all sides is effective at setting an uncomfortable mood — at one point the heroine’s dog needs to be ‘recast’ and her family insists it’s the same animal even though it’s behaving differently and she can tell the markings aren’t exact — but as a result, she essentially has no one to confide in or bounce ideas off of. And then when a few of the actors finally break character to confirm her suspicions and help her escape, there’s immediate trust and no real reckoning for all their lies. It seems like an important step is missing in (re-)developing those relationships, which weakens the story around them.

The rationale and logistics of this whole situation remain somewhat murky too, such as why everyone is so invested in Jess alone not knowing the truth given that the program started with her parents before they had kids and has only recently begun ‘starring’ its sole naïf. (It turns out some of the performers and viewers even believe she’s secretly in on it! So what exactly is the benefit of keeping her in the dark?) Likewise, the fact that the year outside is actually 2037 and not 1998 is played as a big reveal, but it never has any particularly deep implications, either in cool future worldbuilding or in Kimmy Schmidt-style culture clash of eras. So while I enjoy the shape of the plot overall and the heightened genre exploration of how certain social media users exploit their children as content for views, little details like these strike me as holding the work back from reaching its full potential.

[Content warning for underage alcohol abuse and implied child pornography (cameras in the locker room, etc.).]

★★★☆☆

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Book Review: The Quiet American by Graham Greene

Book #266 of 2021:

The Quiet American by Graham Greene

This 1955 novel reads as a prescient (though obviously unheeded) critique of colonialism and American-style foreign intervention, following a journalist and an intelligence officer in the ‘Indochina’ region at the start of the Vietnam War. It draws on author Graham Greene’s own experience as a war correspondent there, and is full of racism and sexism that generally seem to be consciously unflattering presentations of his characters, rather than reflections of the writer’s own bias. The most surprising thing about this book is its clear-eyed perspective on bloodthirsty Cold War diplomacy and western disdain for the third world; the least is its apparent condemnation for being ‘anti-American’ upon initial release.

The plot here unfolds over two time periods: the present, which begins when the protagonist is informed that his colleague and former romantic rival has been killed, and flashbacks to the past exploring the two men’s personal acquaintance with one another. Although fictional, it appears to capture the then-contemporary setting well — at least through this particular British chronicler’s eyes — and is just as interesting as a historical document on that front as for the story of cavalier cruelty at its heart.

[Content warning for slurs, gun violence, bomb violence, gore, war crimes including murder of children, and mention of rape.]

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★★★★☆

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Book Review: In the Time of Dinosaurs by K. A. Applegate

Book #265 of 2021:

In the Time of Dinosaurs by K. A. Applegate (Animorphs Megamorphs #2)

I’m rather lukewarm on the first Megamorphs release, but this is the sort of big blockbuster adventure that the line seems built for, an over-the-top extravaganza that might strain the limits of the regular Animorphs series and benefits from alternating among all six narrator perspectives. The extra page count is a boon too, as this volume is around one-and-half times the customary length but never lets up on the action for a moment.

As the title suggests, our heroes find themselves flung into the past by another Sario Rip, but unlike the short hop in The Forgotten where Jake underwent a doubling of consciousness by existing in two different places at once, on this occasion they arrive in the late Cretaceous period, 65 million years before humanity. One of the fun running gags that ensues is how everyone still expects their resident alien expert Aximili to have all of the answers, despite the fact that his own people and all the species they know haven’t evolved yet in this era either.

There are extraterrestrials on the scene, however! Yes, ancient earth was apparently a battleground between two warring forces, and if I can offer one critique of this story, it’s that neither group is ultimately fleshed out very much, although the Nesk display a cool design as small ant-like creatures that can swarm together into larger constructs to wield weaponry and other tools. But their presence is a fun and relatively unexpected twist, and the reveal that the Mercora have brought broccoli from their own planet and are responsible for introducing the crop here is the kind of ridiculous K. A. Applegate detail that I absolutely adore. These crab beings also generate a gut-punch of pathos at the end, when — spoiler alert — the Animorphs are forced to coldly betray their new allies in order to preserve the timeline and return home. Cassie raises the usual moral objections, but it’s the latest indication of how the protagonists are being hardened by the continual trauma of their experiences.

Mostly, though, this novel is about the dinosaurs. It’s a pulse-pounding rush from one encounter to the next, repeatedly emphasizing how out of their depth the humans (and Andalite friend) are in this environment, regardless of the ability to morph. Tobias soon receives significant wounds that don’t heal properly, and whether that’s because of his peculiar situation or an effect of the temporal shenanigans, it functions to increase the stakes as well. The characters draw the expected comparison to the overwhelmed visitors of Jurassic Park, as is entirely appropriate for 90s kids, and it’s a real struggle to survive until they manage to acquire Deinonychus and Tyrannosaurus Rex morphs (which prove unusable back in the present for unspecified time-travel reasons, but is presumably due to the meta-justification that these assets would simply be too powerful for them to retain for further events). The team gets separated near the beginning too, a neat structural complexity that wouldn’t be as manageable within a single POV.

The biggest divergence from a typical plot may be the utter lack of Yeerks, the primary villains of the franchise. Normally they make at least some appearance, but even the initial mission here involves rescuing a downed submarine that the teens saw on the news, not countering any immediate threat in their guerilla war against the invaders. Only The Ellimist Chronicles, a fellow companion piece, likewise features none of the mind-controlling slugs. And that’s probably for the best, as there’s a danger that the ongoing narrative could lose focus if minor episodic concerns were to keep popping up that don’t involve the enemy. But for a one-off special event, that absence helps contribute to an excellent change of pace.

[Content warning for body horror, genocide, and gore.]

★★★★★

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Book Review: Last Drink Bird Head edited by Ann VanderMeer and Jeff VanderMeer

Book #264 of 2021:

Last Drink Bird Head edited by Ann VanderMeer and Jeff VanderMeer

In this 2009 charity anthology to benefit the ProLiteracy organization, eighty writers answer the prompt, “Who or what is Last Drink Bird Head?” It’s flash fiction, meaning the authors are encouraged to respond off the top of their heads, unplanned and unpolished.

The results, as you might expect, are not so great. Most are just distractingly weird, but several are nonsensically awful and devoid of substance, leaving the impression that editors Ann and Jeff VanderMeer have simply included everyone who wrote back to them at all. Only a rare handful of entries truly shine, and yet these too seem constrained from reaching their full potential by the 500-word limit.

It’s an interesting experiment, I guess, even if largely a failure in my opinion. But at least it’s for a good cause?

★★☆☆☆

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