Book Review: The Dovekeepers by Alice Hoffman

Book #104 of 2019:

The Dovekeepers by Alice Hoffman 

An elegant and immersive feat of first-century storytelling, culminating in the mytho-historic slaughter at Masada where Jewish resistance fighters reportedly killed themselves rather than falling to their Roman besiegers. That’s a difficult topic for any writer to approach, but Alice Hoffman paints it as a proper tragedy by focusing on four women whose winding paths bring them to the fortress camp with no desire to end their lives for the sake of patriarchal pride. Each heroine is well-drawn and suffused in the early Judaic belief system of her time, and Hoffman’s narrative neatly handles those notions of demons, spirits, and magic spells with dignity without ever quite confirming their explicit reality.

It’s a fiercely feminist novel of great scope and raw emotion, and I worried about its characters on practically every page. Very highly recommended for anyone who knows not to expect a happy ending.

[Content warning for self-harm, rape, and graphic violence against a general antisemitic backdrop.]

★★★★★

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TV Review: Bob’s Burgers, season 9

TV #20 of 2019:

Bob’s Burgers, season 9

As expected for an animated sitcom this far into its run, Bob’s Burgers is still amusing but rarely delighting in this most recent season. The series has put in the character work for so many years that its humor can still go to some fantastically weird specifics, but no one seems to be growing much anymore, which is a big part of what I look for in a show. Given that my TV time is at more of a premium these days now that my daughter is born — and that I’ve been making similar comments about this series for a few years now — I might need to just give up on the Belcher family.

★★★☆☆

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Movie Review: Deadwood: The Movie (2019)

Movie #6 of 2019:

Deadwood: The Movie (2019)

Thirteen years after HBO’s prestige western series was canceled without a proper resolution to its three seasons of hardscrabble civilization-building, it’s finally back on our screens once more. And it’s an absolute triumph, carrying all of the profane poetry, rich humor, and unexpected grace notes that fans have long cherished in the initial run of the show.

A decade has passed for the citizens of the Deadwood mining camp, and they’re older and greyer now, with the passage of time (and the ensuing diminishment of the frontier) a central thematic concern for this movie. More importantly, those familiar figures are nearly all still here, assembled back in their Wild West costumes and spitting that classic ‘Shakespeare in the mud’ dialogue. Just reuniting such a cast for this film is a feat unto itself, and it avoids the threadbare feel that a lot of these revival sequel projects can carry. The world of Deadwood has changed in the years we’ve been away, but it has the same solidity as ever.

Plotwise it’s hard to tell how closely showrunner David Milch’s script hews to his original plan for an ending, but he’s given us two last electrifying hours of backroom politicking, street violence, and creatively florid vulgarity. There’s death and new life and disputes over land claims, in true Deadwood fashion. It’s all just about strong enough to stand on its own for new viewers, but it’s a tremendous send-off for those of us who bring the full history of the setting and the characters to the experience. With added poignancy from Milch’s recent disclosure of an Alzheimer’s diagnosis, this is truly the resonant finale the program has deserved for all this time.

★★★★★

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Book Review: Dracul by Dacre Stoker and J.D. Barker

Book #103 of 2019:

Dracul by Dacre Stoker and J.D. Barker

Oddly enough, I think the main selling points of this novel are some of its weakest elements: namely that it’s a prequel to Dracula and that it features a fictionalized Bram Stoker facing off against the famous vampire. Co-written by Stoker’s great-great-nephew and based off both family records and the author’s unpublished notes, it purports to tell a possible true story of his experiences with the undead before writing the classic tale. Yet that’s such a ludicrous framework that the modern writers never manage to truly sell, and the disconnects between their narrative and the original are fairly gaping. 

Taken on its own terms, this would be a solid gothic horror piece, especially in its early epistolary sections. When I can manage to ignore the fact that its hero is literally a young Bram Stoker or that it’s theoretically intended to set up his Dracula book, I’ve enjoyed the creepy plot and gruesome descriptions that Dacre Stoker and J.D. Barker have created. I just wish they had written and pitched it as a standalone adventure and not a somewhat goofy continuation of the Stoker legacy.

★★★☆☆

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Book Review: The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara

Book #102 of 2019:

The Lady from the Black Lagoon: Hollywood Monsters and the Lost Legacy of Milicent Patrick by Mallory O’Meara

An interesting biography of an early special-effects artist, including how her contributions were obscured by jealous male contemporaries and the difficulties author Mallory O’Meara has faced in trying to piece together her story decades later. Indeed, if I have one major complaint about this work, it’s that O’Meara does too good a job conveying the sparseness of the historical record on Milicent Patrick, as it makes me skeptical of certain conclusions and the many times she relates her subject’s thoughts, wishes, and fears. Other reviewers with a background in research journalism or library science have also noted an overall amateur style in how the writer has approached this project, which rings true as a critique upon reflection.

So as a book it’s a little flawed, and probably not the definitive account that a talent like Patrick deserves. Nevertheless, this is a neat look at a forgotten filmmaking pioneer, wrapped in a timely consideration of the sexism, harassment, and entitlement that are still haunting Hollywood today.

★★★☆☆

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Movie Review: Yes, It’s Really Us Singing: The Crazy Ex-Girlfriend Concert Special! (2019)

Movie #5 of 2019:

Yes, It’s Really Us Singing: The Crazy Ex-Girlfriend Concert Special! (2019)

A bit of a victory lap for the cast and crew of this musical comedy series at the end of their (fantastic) final season. The live special is fun and funny, but it’s also pretty lightweight and definitely just a treat for fans who don’t mind watching the cast goof around together for one last time. There was no way they were going to cram all my favorite songs from the past four seasons into 42 minutes, and like most live recordings, I don’t imagine I’ll ever need to hear/watch this more than once. But it was a nice unexpected bonus ‘episode’ regardless.

★★★☆☆

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TV Review: Crazy Ex-Girlfriend, season 4

TV #19 of 2019:

Crazy Ex-Girlfriend, season 4

On the one hand, it’s a little frustrating that this is the second season of Crazy Ex-Girlfriend in a row to immediately walk back its lead-in cliffhanger. On the other hand, the batch of episodes that follows is probably the strongest since the first, and I really appreciate its overall message that your personal happiness doesn’t have to look like other people’s ideas of success. This series has always grappled honestly with issues of mental health — far more than the glib title would suggest — and it’s nice to get more of the healing side of that after the darkness and poor life choices of the year before. It’s also, as always, an incredibly funny program populated with all sorts of catchy original tunes.

Reintroducing/recasting a certain character is a gamble that pays off well, and the whole season builds confidently to a perfect moment of catharsis for its heroine. I’m gonna miss this quirky musical (even with its extensive songbook already loaded into my streaming library), but it’s a real thrill to see a show I love going out at the top of its game.

This season: ★★★★☆

Overall series: ★★★★☆

Season ranking: 1 > 4 > 2 > 3

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Book Review: The Seven Deaths of Evelyn Hardcastle by Stuart Turton

Book #101 of 2019:

The Seven Deaths of Evelyn Hardcastle by Stuart Turton

[Note: I’ve used the original British title for this book, which was changed to ‘The 7½ Deaths of Evelyn Hardcastle’ for publication in America to avoid confusion with Taylor Jenkins Reid’s unrelated novel ‘The Seven Husbands of Evelyn Hugo.’ I prefer the sound of the original, in part because there’s not really any extra half-death to be found.]

The premise of this mystery novel from debut author Stuart Turton reminds me favorably of Claire North, whose high-concept thrillers are always a delight. If the final result here is not quite as strong as that seasoned writer’s typical output, it’s only because Turton displays the slightest tendency to care less about the heart of his characters than about all the convoluted intricacies of the plot around them. But when the narrative is as brilliantly mind-bending as this one, it’s hard to consider that much of a fault.

At the start of our tale, the protagonist suddenly comes to in the grounds an old manor home, to see a woman being chased through the woods. He has no memories from before this moment, and the puzzles of the household and his own identity soon begin piling up in true Agatha Christie fashion. When he goes to bed, however, he finds himself waking up back in the morning of that same day — and in the body of a different guest. A mysterious figure tells this strange hero that he must solve the murder that happens every night, or else be stuck rotating among the oblivious assembly forever.

He is also not the only outsider assigned to the task, and so the body-swapping time-loop whodunnit that ensues is also a race against unknown adversaries in addition to the more ignorant flailings of his earlier selves. It’s an exceedingly complex story with chrono-twists as hard to track as the movie Primer, and although it all falls more or less into place by the end, there’s a bit of that sense that the writer is more smugly satisfied than any of the characters. Still, Turton has got some reason to feel that way with a feat like this, and I mostly enjoyed trying to follow along.

[Content warning for intense fatphobia in the narrator’s reaction to one of his new bodies, which is completely unexamined by the text. It’s also weird to me that this character never wakes up as any of the ladies in the estate, and that this is similarly never remarked upon.]

★★★★☆

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Book Review: Golden Fool by Robin Hobb

Book #100 of 2019:

Golden Fool by Robin Hobb (The Tawny Man #2)

This second Tawny Man novel is as slow-paced as the rest of author Robin Hobb’s wider Elderlings saga, but it benefits tremendously by situating its hero back at his old home of Buckkeep with a variety of interesting people to bounce off and devious schemes to uncover. In this way it improves dramatically over the first volume of this trilogy, which spends far too long in pastoral isolation before any meaningful developments.

Once more Hobb has crafted an exceptional character-driven fantasy, with personalities that prickle yet breathe with life. My personal highlight is an explosive conversation about gender and performative identity around the story’s midpoint, which was revelatory to me as a younger reader and still seems a rarity for genre fiction. Hobb’s refusal to pin down the Fool with easy labels is a bold authorial stroke, as is the empathy she extends to the neurodivergent Thick. I won’t say that these figures constitute perfect representation — check their names, if nothing else! — but they show the writer granting a measure of dignity where others would include a punchline at best.

Whereas much of the previous book could feel a bit perfunctory, this title pays off numerous long-running arcs and ties the court intrigue at Buck more meaningfully to the heretofore-distinct events of the earlier Liveship Traders trilogy. It’s a welcome return to form for author and protagonist alike.

★★★★☆

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Book Review: Luck in the Shadows by Lynn Flewelling

Book #99 of 2019:

Luck in the Shadows by Lynn Flewelling (Nightrunner #1)

There are some fun moments of swashbuckling fantasy spycraft in this 1996 series debut, but the worldbuilding is fairly minimal and the plot often feels like a generic tabletop campaign that anyone could have wandered into rather than anything arising from these specific characters. That’s partly a reflection of the state of the genre a quarter-century ago, yet it leaves me wanting so much more from this narrative.

[Quick note: I gather that the two male leads become romantically entwined in one of the sequels, which is nice for representation but a little disappointingly problematic given that they’re introduced as a 58-year-old master and 16-year-old apprentice here. I hope that some time passes to set them on more of an even footing before that relationship kicks off, but I’m not sure I liked this first novel enough to read on and see.]

★★★☆☆

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