
TV #8 of 2019:
True Detective, season 3
There are quite a few elements in the latest season of this mystery anthology that feel remixed from its first year, but I think I actually prefer how they’re assembled this time around. Whereas there was really no compelling story reason for the original investigation to be presented as an increasingly cold case over multiple timelines — resulting in several frustrating moments where characters clearly know things that the audience doesn’t — the invention of a new hero with memory problems in his old age has led to a much more organic way for the writers to weave the different plot strands together.
And Mahershala Ali, as that retired cop who’s come unstuck in time, is simply incredible at crafting three distinct performances over the different eras of his character’s life. (My wife, catching part of an episode without realizing this aspect of the show, remarked that it was great casting to find an old man who looked so much like Ali.) The actor won his second Academy Award the night the finale aired, and his acting still manages to be a revelation here. Stephen Dorff, whose work I’m less familiar with, also acquits himself nicely at distinguishing the 1980, 1990, and 2015 versions of his own role.
This season is less action-packed than the series debut, but the storyline takes some surprising turns and the acting alone really is worth the price admission. I’m glad I decided to tune back in after that debacle of a sophomore outing, and I highly encourage other former viewers to do the same.
★★★★☆








