TV Review: New Girl, season 7

TV #28 of 2018:

New Girl, season 7

From a storytelling perspective, season 6 of this sitcom wrapped things up just fine. There was no real need to bring back the series for a final abbreviated season (8 episodes, as compared to the 22+ of every previous season), but my hope was that doing so would allow a Parks and Recreation style celebration of everything the show had done before, bringing back old characters and running gags to remind viewers of what we had loved and send the program off in style.

This is… not that. Oh, it’s fine, but it feels more like the continued last wheezes of a show that had already been fading for a while, rather than any last-minute creative renaissance. With a few minor exceptions, season 7 comes across not as a celebration of New Girl’s past but just the last few ideas that the writers hadn’t gotten to yet. It’s still funny and sporadically moving, but not really an essential send-off for fans.

This season: ★★★☆☆

Overall series: ★★★★☆

Season ranking: 2 > 3 > 5 > 4 > 6 > 1 > 7

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Book Review: An American Marriage by Tayari Jones

Book #101 of 2018:

An American Marriage by Tayari Jones

Much like the earlier Tayari Jones novel Silver Sparrow, this story ends somewhat abruptly and before I feel like the author has really said everything she could/should with its characters. But what we do get is a compelling and believable exploration of what might happen to a new marriage after one spouse is falsely convicted and sentenced to spend the next decade behind bars.

It’s a ripped-from-the-headlines case of an innocent black man in the south railroaded on rape charges, but Jones foregrounds the relationships and character dynamics over the sheer injustice of the situation, with the haunting effect of making the tragedy just a fact of life for her all-black cast. We instead focus on how the newlyweds adapt to their change in circumstances and on how life can’t stand still for either of them, which gives the book a distinct and moving perspective. I’m a little dissatisfied with the ending, but at least I can honestly say it leaves me wanting more.

★★★★☆

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Book Review: The Queen of Attolia by Megan Whalen Turner

Book #100 of 2018:

The Queen of Attolia by Megan Whalen Turner (The Queen’s Thief #2)

In principle this is a fine follow-up to The Thief, although it shares that novel’s predilection for hiding character plans and motives from readers even when they’re pretty easy to guess. It expands this Greek-flavored fantasy world a little, and tells what should be another fun story of intrigue and spycraft.

Yet I have such a visceral negative reaction to the romance at its core — which is hard to discuss without spoilers*, but is abusive on one side and coercive on the other — that it’s hard to focus on anything else in the text. It absolutely kills the mood for me, and guarantees that I won’t be reading any further into this series.

*SPOILER: She tortures him and chops off his hand; he then kidnaps her and says she can either marry him or drown. Later they both admit they’re in love, and I worry about what relationship dynamics we’re modeling for young readers here.

★★☆☆☆

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TV Review: Altered Carbon, season 1

TV #27 of 2018:

Altered Carbon, season 1

On the one hand, this series is based on a book that would be pretty hard to present faithfully on television, and I think the show writers have made a lot of really smart adaptation choices in how they handle that material. I’d also say that the worldbuilding and central concepts are really well established, and there are definitely elements like the sentient hotel that work better on screen than they ever do on the page.

On the other hand, the TV story kind of fizzles out for me well before the end of this season, and the main character seems nowhere near as smart or capable as he is in the original novel. That’s a drag, especially when we keep getting told about his legendary augmented intuition. Ultimately I like the program well enough to watch another season (although I guess I should read the sequels first), but I’m a little unsatified by how this one ends up.

★★★☆☆

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Book Review: We Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates

Book #99 of 2018:

We Were Eight Years in Power: An American Tragedy by Ta-Nehisi Coates

A powerful collection of essays on race and racism in America, reflecting the author’s evolving understanding of these issues over the eight years of the Obama presidency. Half of these entries are drawn, roughly one per year, from articles originally published in The Atlantic; the rest have been newly written for this volume in the dawn of the Trump administration. Throughout, Ta-Nehisi Coates writes movingly and convincingly on the historical forces of racial injustice that survive today, the ways in which the unique figure of Barack Obama has navigated them, and how they have ultimately led us to his successor in the Oval Office.

It’s as meditative and elegiac as the title suggests, using a racial lens to examine both the triumphs and flaws of the Obama White House but especially to mourn its passing. Yet despite that focus, the language is less poetic than the author’s earlier work Between the World and Me, which I personally appreciate. This is an accessible book for all of us who have had our eyes opened over the course of the past decade, and it deserves to be read widely.

★★★★☆

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Book Review: Tess of the Road by Rachel Hartman

Book #98 of 2018:

Tess of the Road by Rachel Hartman

Practically from the start, I’ve been reeling over the emotional journey that the heroine makes in this intensely personal fantasy novel. Largely eschewing the traditional genre focus on epic quests, author Rachel Hartman has instead written a powerful meditation on trauma, grief, and healing that only happens to take place in a world with dragons. (It’s technically a follow-up to her Seraphina duology, but this volume tells an independent story that doesn’t require having read the previous two books first.)

The tale of a young woman who takes to travel in order to escape her past and find a reason to keep living is incredibly cathartic, and is suffused with an uplifting moral philosophy that finds Tess ultimately letting down her barriers to affirm the goodness of life in all its diversity. We need more stories like this, and I can already tell this is one I’ll be revisiting in the future.

[Trigger warning for a character recounting what’s clearly her rape near the end of the book, which some readers might want to know is coming ahead of time. And major thanks to Random House and Goodreads for providing me a free advance reader’s copy of this novel in exchange for an unbiased review — even though I received the book a month and a half after its actual publication, which would sort of seem to defeat the purpose of an ARC.]

★★★★★

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Book Review: Meddling Kids by Edgar Cantero

Book #97 of 2018:

Meddling Kids by Edgar Cantero

This book skates by on a terrific premise, which is basically Scooby-Doo crossed with Stephen King’s IT. The teens in this off-brand Mystery Gang have disbanded after stumbling across a real Lovecraftian horror, and the surviving members now reunite as adults to face their fears and reopen that final case. And that’s fun enough, but the novelty wears out well before the book ends, helped along by some questionable writing choices on the author’s part (like switching in and out of a screenplay format or constantly anthropomorphizing the Daphne stand-in’s hair and a variety of inanimate objects). This novel reads like a sugar rush, and when that high inevitably came down, I was personally left craving something more substantial.

★★★☆☆

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Book Review: Sleeping Beauties by Stephen King and Owen King

Book #96 of 2018:

Sleeping Beauties by Stephen King and Owen King

I’m normally a big Stephen King fan, but I’m feeling pretty underwhelmed by this recent collaboration between the bestselling author and his son Owen. The premise is fine — all the world’s women start falling into deep comas when they go to sleep, leaving a shaky society of nervous men and a few increasingly delirious women trying to stay awake — but there are major issues in how the Kings develop it.

Hardest to swallow is probably the gender essentialism: nowhere in this 700-page novel is there any indication that people can exist outside of a rigid male/female binary, and the authors’ repeated mention of chromosomes suggests a transphobic worldview in which the difference between men and women is strictly biological. This would be problematic in any story, but it’s downright absurd in a book about a supernatural affliction aiming to divide the world by gender for some vague morality test / allegorical demonstration. The Kings display fairly narrow gender roles for their characters as well, at one point mentioning “a makeshift daycare run by men” as though such people are completely foreign to this field under normal circumstances.

(And this is a truly minor point, but the effectively-omniscient fairy creature who brought on the sleeping sickness mentions that any further episodes of Doctor Who will require recasting the companion as a man — although the story is set when actress Jodie Whittaker would have already taken over as the Thirteenth Doctor, surely a bigger issue for producing the show in a womanless world.)

If the story were stronger these flaws might not stand out as much, but the parameters of the conflict remain hazy throughout and the narrative beats of a small town breaking apart are practically rote at this point in Stephen King’s career. If you’ve read The Stand, or Under the Dome, or The Tommyknockers, or Needful Things, or ‘Salem’s Lot, there won’t be many surprises here. Having never before read anything by Owen King, I can’t say for certain that the weaknesses stem from him and not his father, and this is far from the first dud that the older King has released. But unless you’re an absolute Constant Reader, it’s best to let this one lie.

★★☆☆☆

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TV Review: Marvel’s Agents of S.H.I.E.L.D., season 5

TV #26 of 2018:

Marvel’s Agents of S.H.I.E.L.D., season 5

The finale of this season is outstanding, especially for the closure on Coulson and Fitz’s respective character arcs, but I’m not as sold on some of the episodes that get us there. Although the season has clearly been written with the knowledge that it might be the last one, it sometimes feels like that pressure on the writers to avoid loose ends has resulted in over-tidy solutions and an unnecessary amount of wheel-spinning throughout. (I’m also still kind of unclear on how exactly the apocalyptic timeline from the start of the season ultimately gets averted, but as usual with time travel, I’m more or less willing to just roll with it.) The final episode this season really could – and perhaps should – have closed the door on this chapter of the Marvel Cinematic Universe, and I worry that the show is never again going to hit the heights of last season’s Framework storyline. But I’m still enjoying this series for the most part, and I’m definitely on board to see what next season will look like.

★★★☆☆

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TV Review: Bob’s Burgers, season 8

TV #25 of 2018:

Bob’s Burgers, season 8

I don’t have much to say about this season of Bob’s Burgers that doesn’t apply to the show at large, but it remains impressively strong this late in its run. Top-notch, character-driven comedy that somehow hasn’t worn out its welcome despite the general lack of any sort of ongoing plot or narrative stakes. I think it’s the character work that really powers this show: the main cast has grown naturally over time, and the extensive bench of supporting characters all have a great comic specificity to them. If Bob’s Burgers can keep effortlessly hitting this level of quality, I’m happy to keep watching.

★★★★☆

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