Book Review: Clariel by Garth Nix

Book #78 of 2023:

Clariel by Garth Nix (The Old Kingdom #4)

I like a lot of things about this Old Kingdom prequel, but it’s objectively a pretty disjointed novel. The first two-thirds paint a fascinating picture of the setting as we’ve never seen it, both by virtue of being so far in the past — six hundred years before the start of the original book Sabriel, as per an introductory author’s note — and by being firmly rooted in Old Kingdom cultural life, when previous protagonists in this series have all been outsiders to the land in one way or another. In addition, we find the country in a newly precarious state, full of political scheming and growing unrest against the corrupt and decadent upper class. Even those representatives of the magical Charter are surprisingly toothless compared to the heroes we know will be their eventual successors: the grieving king has effectively withdrawn from ruling, creating an unstable power vacuum that villains conspire to fill, and the legendary Abhorsen has shirked his own hereditary duties to the extent that he views the name as an empty title.

Against that backdrop, a sullen teen arrives in the capital city and finds herself unwittingly drawn into becoming a pawn in the various intrigues. She’s scrambling to get a read on the situation collapsing around her and to claw together some shred of personal agency for herself, whilst wanting nothing more than to retreat back to her former home and train to be a simple forest warden. It feels very much of a common flavor with Game of Thrones, particularly the moment early in that other fantasy saga when young Arya Stark witnesses the Lannister treachery against her father and is forced on the run.

The last section of the plot, however, transitions to Clariel’s time at the Abhorsen’s House, where the creature Mogget (less faithfully bound to service than we’ve seen him before) gradually lures her into embracing the awful power of Free Magic that he represents. This part is a tragedy of sorts, although it plays off no particular tragic flaw in the title character beyond youthful naivety, and author Garth Nix never really resolves the thematic questions he raises about whether the girl’s yearning for social isolation is antithetical to the knitting of Charter Magic / naturally aligns her with Mogget and his ilk. The very ending also seems a bit rushed, with several promising subplots reduced to a final flurry of quick exposition.

The bigger issue, of course, is how a reader is supposed to grapple with Clariel’s future identity as a previously-seen antagonist of a different name, which is hinted at throughout the text (and in its original subtitle of The Lost Abhorsen) and then matter-of-factly acknowledged via postscript. I don’t think this book works too well as an explanation for her downfall, and the story definitely feels incomplete where it leaves off, even given the further pieces revealed in the next novel, Goldenhand. Clariel’s ultimate villainy and steps in that direction here moreover muddy the optics of her asexuality, which is a fairly prominent aspect of her characterization. I’m not sure Nix means to imply a connection between her not feeling sexual attraction and being susceptible to wickedness, but, well, I’m not certain that he doesn’t, either. That’s the problem.

All in all it’s a mixed bag of a book, and while I started this reread and even this review expecting I’d give it a four-star rating, writing out the thoughts above has clarified (pun intended) my reaction considerably. I’d maintain that the volume has its share of strengths, but those are unfortunately balanced out by some genuine issues across the board.

[Content warning for gore.]

★★★☆☆

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