
TV #28 of 2020:
The Good Wife, season 4
There’s a lot that I enjoy in this run of episodes, from the trustee played by Nathan Lane to Alicia’s growing disillusionment with her firm’s management style (which really pays off next year, but is fun to watch build up gradually for now). Since the initial concept of this show is that its heroine is a legal shark who was content to be a housewife until circumstances forced her to pick back up with her career, there’s some good thematic resonance in seeing her once again moving from complacency to strength in response to unfair treatment.
On the other hand, the election subplot often feels like a weak retread — especially since Matthew Perry’s character had to be largely off-screen due to another acting gig that he picked up over the break — and there’s sadly not a single element of the storyline about Kalinda’s husband that works well. Nick is an over-the-top gangster caricature who never fits in with the tone of the series, not to mention an abusive jerk and a dramatic deadweight in his every scene. His inclusion is just a baffling miscalculation on every level, and I can’t in good conscience rate the season particularly highly as a result.
★★★☆☆








