
TV #18 of 2019:
Bosch, season 5
The weird thing about Bosch — which can strike me as either brilliant or lazy storytelling depending on my mood — is that it regularly eschews all the rhythms of a typical TV show. There’s seldom any particular plot difficulty or thematic throughline tying a single hour together, with the result that each season feels more like an incredibly long movie than a series of discrete episodes. Subplots also intersect and resonate less than I would prefer, so that although I appreciate a lot of what the program does, it often seems like only the rough draft of some platonic urban crime drama that could be truly great.
This latest season is a neat instantiation of all of my enjoyments and frustrations with the show. The two main stories of an opioid mill and a scheming inmate are well-told, and I especially like that the writers have aged Bosch’s daughter up to college and given her more to do with her father’s cases. Yet I’m baffled by the decisions of when to check in on certain peripheral events, and the end credits take me by surprise nearly every time. A little bit more narrative focus could go a long way towards boosting this show to the quality its cast deserves.
★★★☆☆








