Book Review: Sleeping Beauties by Stephen King and Owen King

Book #96 of 2018:

Sleeping Beauties by Stephen King and Owen King

I’m normally a big Stephen King fan, but I’m feeling pretty underwhelmed by this recent collaboration between the bestselling author and his son Owen. The premise is fine — all the world’s women start falling into deep comas when they go to sleep, leaving a shaky society of nervous men and a few increasingly delirious women trying to stay awake — but there are major issues in how the Kings develop it.

Hardest to swallow is probably the gender essentialism: nowhere in this 700-page novel is there any indication that people can exist outside of a rigid male/female binary, and the authors’ repeated mention of chromosomes suggests a transphobic worldview in which the difference between men and women is strictly biological. This would be problematic in any story, but it’s downright absurd in a book about a supernatural affliction aiming to divide the world by gender for some vague morality test / allegorical demonstration. The Kings display fairly narrow gender roles for their characters as well, at one point mentioning “a makeshift daycare run by men” as though such people are completely foreign to this field under normal circumstances.

(And this is a truly minor point, but the effectively-omniscient fairy creature who brought on the sleeping sickness mentions that any further episodes of Doctor Who will require recasting the companion as a man — although the story is set when actress Jodie Whittaker would have already taken over as the Thirteenth Doctor, surely a bigger issue for producing the show in a womanless world.)

If the story were stronger these flaws might not stand out as much, but the parameters of the conflict remain hazy throughout and the narrative beats of a small town breaking apart are practically rote at this point in Stephen King’s career. If you’ve read The Stand, or Under the Dome, or The Tommyknockers, or Needful Things, or ‘Salem’s Lot, there won’t be many surprises here. Having never before read anything by Owen King, I can’t say for certain that the weaknesses stem from him and not his father, and this is far from the first dud that the older King has released. But unless you’re an absolute Constant Reader, it’s best to let this one lie.

★★☆☆☆

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TV Review: Marvel’s Agents of S.H.I.E.L.D., season 5

TV #26 of 2018:

Marvel’s Agents of S.H.I.E.L.D., season 5

The finale of this season is outstanding, especially for the closure on Coulson and Fitz’s respective character arcs, but I’m not as sold on some of the episodes that get us there. Although the season has clearly been written with the knowledge that it might be the last one, it sometimes feels like that pressure on the writers to avoid loose ends has resulted in over-tidy solutions and an unnecessary amount of wheel-spinning throughout. (I’m also still kind of unclear on how exactly the apocalyptic timeline from the start of the season ultimately gets averted, but as usual with time travel, I’m more or less willing to just roll with it.) The final episode this season really could – and perhaps should – have closed the door on this chapter of the Marvel Cinematic Universe, and I worry that the show is never again going to hit the heights of last season’s Framework storyline. But I’m still enjoying this series for the most part, and I’m definitely on board to see what next season will look like.

★★★☆☆

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TV Review: Bob’s Burgers, season 8

TV #25 of 2018:

Bob’s Burgers, season 8

I don’t have much to say about this season of Bob’s Burgers that doesn’t apply to the show at large, but it remains impressively strong this late in its run. Top-notch, character-driven comedy that somehow hasn’t worn out its welcome despite the general lack of any sort of ongoing plot or narrative stakes. I think it’s the character work that really powers this show: the main cast has grown naturally over time, and the extensive bench of supporting characters all have a great comic specificity to them. If Bob’s Burgers can keep effortlessly hitting this level of quality, I’m happy to keep watching.

★★★★☆

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TV Review: Brooklyn Nine-Nine, season 5

TV #24 of 2018:

Brooklyn Nine-Nine, season 5

It’s been a whirlwind time to be a Brooklyn Nine-Nine fan, with the show getting canceled by Fox and then saved by NBC in roughly the span of a day. I’m super glad that show isn’t ending now, but if it had, it would have absolutely gone out on top of its game. This season takes the series over that key 100-episode syndication benchmark, offering some great storylines and character work in the process. Rosa coming out as bisexual is the one that stands out the most, but that finale is the first one that’s felt like it could have been a satisfying conclusion for the series itself if it had to be. I would have been happy to leave these characters where we last see them here, but I’m very excited to continue following them on NBC.

★★★★☆

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TV Review: Saturday Night Live, season 43

TV #23 of 2018:

Saturday Night Live, season 43

We started watching SNL regularly sometime last year, making this the first season of the long-running sketch comedy show that I’ve actually seen in its entirety. Taken as a whole it’s understandably not as great as the isolated bits that go viral, and its present iteration definitely relies way too heavily on celebrity cameos and toothless Trump impressions. Still, every week there are skits that get huge laughs out of me, and I was particularly impressed with new cast member Heidi Gardner. Colin Jost and Michael Che are also consistently strong at their Weekend Update gig, which I would probably still keep watching on a weekly basis even if we let the rest of the show slide.

★★★☆☆

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Book Review: Native Son by Richard Wright

Book #95 of 2018:

Native Son by Richard Wright

This 1940 classic feels astonishingly modern — which is a sad commentary on the slow progress in American race relations over the decades since. Author Richard Wright pens a blistering look at privilege and marginalization, as embodied in the life of a young black criminal. Yet despite the novel’s clear anti-racism themes, it’s a more challenging read than something like To Kill a Mockingbird, since Wright’s protagonist is unambiguously guilty of rape and murder, with the author seeking to explore the societal factors that have contributed to the man’s actions while still holding him accountable. A better comparison might be Albert Camus’s The Stranger, which similarly asks readers to empathize with a cold-blooded killer who struggles to put his motives into words.

The book only really shows its age in the final section, when the plot momentum gives way to long philosophical courtroom monologues that lay bare the themes of the text. As in the works of Wright’s contemporary Ayn Rand, there’s a feeling that the story may have been built merely to scaffold these speeches and deliver the author’s moralizing. But when the moral is still as necessary as this one, that’s an easy flaw to forgive.

★★★★☆

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Book Review: Blindness by José Saramago

Book #94 of 2018:

Blindness by José Saramago

This novel about an epidemic of sudden contagious blindness has a strong start of creeping desperation and a ruthless military quarantine, but it loses me in the back half of the story when society has effectively crumbled due to everyone losing their sight. There’s so much ableism inherent in that premise, and the idea that men would start demanding to rape women in exchange for sharing their limited supply of food is pretty distasteful as well. I think the author is trying to make a Lord of the Flies sort of argument about the thin veneer of civilization, but it’s hard to take seriously the notion that people would turn awful as soon as they can’t see one another.

★★★☆☆

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Movie Review: Doctor Strange (2016)

Movie #8 of 2018:

Doctor Strange (2016)

I watched and reviewed this movie last year, and my thoughts are about the same:

I’m still happy with my decision to wait until Doctor Strange was on Netflix to watch it (so as to hurt box office returns in protest of the casting). But having now finally seen the thing, I will freely admit that it was a pretty good movie in and of itself. They did a good job making Strange’s initial downfall be entirely his own fault, and let him grow some as a character as he went on. Cool effects, a decent ending, and plenty of levity throughout. This was an overall solid Marvel movie, and it definitely shows that the equally-problematic casting for Marvel’s Iron Fist wasn’t the only thing that wrecked that show.

★★★★☆

Book Review: A Conspiracy in Belgravia by Sherry Thomas

Book #93 of 2018:

A Conspiracy in Belgravia by Sherry Thomas (Lady Sherlock #2)

Although I really like the character of Charlotte Holmes, she’s yet to have a truly engaging novel built around her. This second adventure at least centers the clever detective more than the first, but it relies far too heavily on coincidence in the process. (Charlotte is hired to look into a man who turns out to be her half-brother, a cold case she’s working on happens to boil over with a new murder, etc.) These plot issues unfortunately stop the story from rising to the level of its very capable heroine.

★★★☆☆

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Book Review: The Long Way to a Small, Angry Planet by Becky Chambers

Book #92 of 2018:

The Long Way to a Small, Angry Planet by Becky Chambers (Wayfarers #1)

A gloriously uplifting space opera, featuring a diverse crew of interstellar travelers who are fascinatingly drawn and who all care deeply for one another. The setting is sort of like Firefly amid a Star Trek or Mass Effect-like coalition of species, and author Becky Chambers excels at finding the human (well, sapient) heart at the core of everyone in this found family. It’s a bold character-driven drama that fiercely tackles prejudices of all kinds and affirms the essential goodness of the universe. I really just loved it ever so much.

★★★★★

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