Book Review: Moby Dick by Herman Melville

Book #193 of 2017:

Moby Dick by Herman Melville

There’s a decent story submerged in this book, but it’s utterly swamped by the narrator’s endless didactic asides on whales and whaling. For every page about Ahab’s obsessive quest or Ishmael and Queequeg’s sweet friendship or even the fate of minor characters like poor Pip, readers are subjected to two or three pages of nautical background information that adds little to the tale at hand. I liked the narrative on the rare occasion it surfaced, but the reading experience too closely mirrored the long periods of boredom accompanying an actual hunt at sea.

★★☆☆☆

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Book Review: Shadow and Bone by Leigh Bardugo

Book #192 of 2017:

Shadow and Bone by Leigh Bardugo (Grisha #1)

This is the first novel in Leigh Bardugo’s Grisha trilogy, a series I’m reading after (and on the strength of) the author’s Six of Crows and its sequel Crooked Kingdom. Those books share a world with this series and take place after it, but are otherwise unconnected… and so far, I like them a lot better. Shadow and Bone isn’t bad, but the heroine is too passive for my tastes and I don’t think Bardugo builds up a particular other character enough for certain twists to land with much impact. The book ends on a promising upswing for the remainder of the trilogy, but it’s not a good sign when my main takeaway from a story is a slightly greater understanding of the background geopolitics in its semi-sequel.

★★★☆☆

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Book Review: The Roanoke Girls by Amy Engel

Book #191 of 2017:

The Roanoke Girls by Amy Engel

Lane Roanoke has never known any family except her mother Camilla, who left home when she was pregnant with Lane and cut off all ties to her past. But when Camilla kills herself, the orphaned teen is sent to live at the Roanoke family estate with the grandparents and cousin she’s never known, only to flee as well at the end of her first summer there. Ten years later, she’s reluctantly dragged back by the news that her cousin who stayed behind has now gone missing.

This is a dark and twisted story of family secrets buried beneath small-town Midwestern values, calling to mind both Gillian Flynn and Daphne du Maurier at their finest. (The Flynn comparisons are perhaps inevitable for a thriller and a heroine like this, but the opening line could honestly have been, “Last night I dreamt I went to Roanoke again,” for how closely the haunting manor evokes images of Manderley from du Maurier’s Rebecca.)

The action cuts back and forth between Lane at sixteen gradually uncovering the mysteries that Roanoke hides and her older self returning to look for clues about the cousin who was once like a sister to her. The truths she unearths are repugnant yet irresistible, and throughout it all, author Amy Engel ratchets up the tension and the creep factor until readers are all too aware of why the Roanoke girls always run.

★★★★☆

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Book Review: The World of Ice & Fire: The Untold History of Westeros and the Game of Thrones by George R.R. Martin, Elio M. García Jr., and Linda Antonsson

Book #190 of 2017:

The World of Ice & Fire: The Untold History of Westeros and the Game of Thrones by George R.R. Martin, Elio M. García Jr., and Linda Antonsson

The World of Ice & Fire is a Silmarillion to George R.R. Martin’s A Song of Ice and Fire, providing an exhaustive (and somewhat exhausting) backstory encyclopedia/travelogue to that epic fantasy book series. It also works more or less as backstory to HBO’s television adaptation Game of Thrones, given the fairly minor differences between the two, although I doubt anyone would read something like this before seeking out the original novels.

The work spans several centuries prior to the events of Martin’s central narrative, and some parts are far more interesting than others. It’s hard to keep all the Targaryen kings straight, for instance, or to care all that much about the history of minor locations like the Vale. What’s particularly neat, though, is that the book is presented entirely from the perspective of someone living in its fictional world, making it less an authoritative record and more a reflection of how the characters we know would understand their own received historical narratives. There are notes of conflicting accounts and enduring mysteries, and even the things our scholarly narrator claims to know for certain are not necessarily the informed unbiased truth. That sometimes makes for a frustrating read, but it’s very much in keeping with the postmodern approach to history that Martin employs in the main series.

This book won’t give you definitive answers to all your lingering Thrones questions, but it will at least make you as informed on the subject as the best-read maesters in Westeros.

★★★☆☆

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TV Review: Jane the Virgin, season 3

TV #39 of 2017:

Jane the Virgin, season 3

Same great cast, same terrific writing, and definitely a return to form after season 2 got a little lost in the weeds with its plot. I was a little bit afraid that this season was going to feature more wheel-spinning as we approached the midpoint, but then the writers threw in a twist that legitimately changed everything for the show. Then the back half of the season went full-throttle with the new status quo, and it was so easy to remember why I fell in love with this show in the first place. The writers have apparently planned out a full five-season story arc, and I really hope they’re given the chance to pull that off. Season 4 starts next month!

★★★★☆

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TV Review: Cop Rock, season 1

TV #38 of 2017:

Cop Rock, season 1

This is such a… unique show. It’s not exactly the trainwreck that its reputation would suggest, but it certainly comes near to that at times. Picture a musical show like Glee (particularly the times when the singing is just supposed to represent characters emoting and not rehearsing/performing an actual number), mashed up with a serious serial police drama like The Wire, often with whiplash-inducing pivots from one to the other, and you’ve got a pretty good sense of Cop Rock. It’s no surprise that audiences hated it when it first aired in 1990, or that it was canceled after only 11 episodes. Still, there’s a decent show buried in here, with some really relevant themes of police brutality and racism and some songs that work surprisingly well in spite of themselves. It’s still not great television, but I think it’s fair to say it was ahead of its time.

★★☆☆☆

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Book Review: The Infinities by John Banville

Book #189 of 2017:

The Infinities by John Banville

This story of the Greek god Hermes narrating the events surrounding a modern patriarch’s deathbed is unbearably pretentious and unforgivably cruel to its characters. Add to that an utterly inconsequential plot and I just couldn’t wait to be through with it.

★☆☆☆☆

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TV Review: Game of Thrones, season 3

TV #37 of 2017:

Game of Thrones, season 3

Another solid season of Game of Thrones, although this is definitely where the seams of adapting A Song of Ice and Fire into a network television show really start to appear. In the books, characters can sit out entire novels when nothing interesting is happening to them, but on screen, audiences expect major characters to appear from time to time. Sometimes, as with Jaime Lannister in season 2, the actors are given enough meaty dialogue that it’s easier to overlook the fact that they don’t really do anything all season long. And sometimes, as with Theon (and arguably Bran) this season, there’s really nothing gained by returning to them over and over again. Still, this is the season that gives us the Red Wedding, the Unsullied, Jaime’s maiming, and so much more. It’s hard to complain about that.

★★★★☆

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Book Review: The Goblin Emperor by Katherine Addison

Book #188 of 2017:

The Goblin Emperor by Katherine Addison

There’s a little Game of Thrones in this standalone fantasy story of an honorable figure coming to court and facing palace intrigue, but it more closely resembles Assassin’s Apprentice in centering its narrative around an abused and friendless child whose station prevents others from getting close. In this case, that child is the youngest son of the elvish emperor, long exiled due to his mother’s disfavor but now thrust upon the throne after the sudden death of his father and half-brothers. Maia’s mother was a goblin – a racial minority in the empire – and many of his new subjects dislike him as much for his mixed heritage as for his attempts to rein in some of his father’s more excessive policies.

A little of the worldbuilding here could have been clearer, and the huge cast of characters with similar-sounding names was really hard to keep track of, especially in audio format. Audiobook reader Kyle McCarley does a great job with what he’s given, but I think I’ll need to actually read the book next time instead of listening, to make sure I catch everything. Still, it was great enough that there definitely will be a next time at some point. There’s so much heart to this story, and so much neat language, and so many times when I wanted to reach out to the Elflands and give its lonely emperor a hug. It’s a world I fell into deeply, and a book I’m already looking forward to revisiting.

★★★★★

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Book Review: Rumpole of the Bailey by John Mortimer

Book #187 of 2017:

Rumpole of the Bailey by John Mortimer (Rumpole of the Bailey #1)

The aging barrister Horace Rumpole was originally created as a television character, but his writer John Mortimer soon adapted those stories for the literary medium, resulting first in this collection of short stories that presents some of Rumpole’s most notorious cases before the English courts. This fictional defense lawyer is a very funny fellow, not nearly as clever as he thinks he is, but still far cleverer than his colleagues or clients would like to admit. Mortimer is skilled at both presenting and piercing Rumpole’s pomposity, all without ever turning the audience against him.

★★★☆☆

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