TV Review: The Grinder, season 1

TV #36 of 2017:

The Grinder, season 1

I have such a soft spot for this silly little show about an actor convinced he can practice law at his brother’s firm just because he used to play a lawyer on TV. It’s just so rich in character-driven humor and meta-commentary on TV show plots, and the serialized storytelling gets pretty ambitious for a sitcom like this. It only ran for one season last year, but this is already my second time watching all the way through. The first time, I gave it the following review:

The Grinder is pretty funny as a sitcom, but it’s absolutely amazing for the meta-commentary it delivers on the TV industry. (It’s also impressively serialized for a half-hour comedy show.) It lovingly pokes fun at the genre tropes of legal dramas like The Good Wife, by telling the hilarious story of a TV actor leaving his hit legal drama to go practice law with his brother, a real lawyer. And I mean, I’m in favor of anything that gives Natalie Morales work. Unfortunately, as with her earlier show The Middleman, The Grinder was canceled way before its time.

★★★★☆

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TV Review: Game of Thrones, season 7

TV #35 of 2017:

Game of Thrones, season 7

All in all, this is probably one of the weakest seasons of Game of Thrones. As cool as it is to see long-anticipated developments finally happening – and it really is cool, don’t get me wrong – it’s a little disappointing how many characters have developed “plot armor,” aka the seeming ability to endlessly escape deadly situations due to narrative importance. This is all the more jarring since GoT first established itself as a show where no one was ever truly safe, no matter their apparent status as a main character. But any time someone escapes from mortal peril now, I have to imagine that their personal story arc must not be done yet, and that there’s something particularly important the writers are saving them for. It’s not like every single character in a cast this massive is going to get a tidy resolution before the end of the show, but with only 6 episodes left at this point, plot armor increasingly feels like the only explanation for some people’s continued survival. Plus, as many other viewers have observed, the travel logistics in this world no longer make any sense, and it definitely weakens the storytelling further when characters can suddenly whiz around all over the map on a whim.

The finale did a lot to rehabilitate some of these concerns, but it took some really shaky storytelling and narrative shortcuts to get there. With a rumored delay until 2019 for the final season to air, I really hope the writers spend more time ironing out a good story rather than just relying on spectacle to coast through to the finish line as they largely did here.

★★☆☆☆

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Book Review: The Yiddish Policemen’s Union by Michael Chabon

Book #177 of 2017:

The Yiddish Policemen’s Union by Michael Chabon

In the late 1930s, President Franklin Roosevelt rejected a government proposal to establish a settlement for Jewish refugees within America’s Alaskan Territory. The U.S. instead largely blocked Jewish immigration, and ultimately over six million European Jews were killed in the Holocaust.

Author Michael Chabon takes these historical facts and asks us to consider what would have happened if the Slattery Report proposal had been instituted after all, and if four million Jews had been able to escape the Holocaust and create a new home for themselves and their descendents in Alaska. It’s a heartbreakingly beautiful idea, even with Chabon’s best efforts to show how this new Jewish homeland would still be no paradise more than half a century into its existence. Our entry into this world is a jaded homicide detective, trying to solve one last murder case before America officially revokes the status of the Alaskan settlement and makes its inhabitants refugees once more, but it’s still dazzling to see so many Jewish characters who could never have been born in reality, as well as the uniquely Jewish character that this society has developed.

On some level all of this is a fictionalized dramatization of our own world’s struggles with notions of Israel, Judaism, and colonial statehood, wrapped up in a pretty good detective story to give the novel some characters and plot along with its worldbuilding. But it’s that world that really tugs at the reader, allowing us to dream of what could have been, if only America had lived up to its ideals as a land of immigrants instead of largely abandoning Jewish refugees to their fates.

★★★★☆

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TV Review: Marvel’s The Defenders, season 1

TV #34 of 2017:

Marvel’s The Defenders, season 1

Plotwise, this show is basically just another season of Daredevil. Yes, he’s teaming up with some superfriends, but the main character arc is Matt’s, and the most important returning characters / concepts come primarily from his show (with Iron Fist as a distant second). There are also some fairly major Daredevil developments that happen within this season of The Defenders, to the point where any viewer going from Daredevil season 2 to the upcoming season 3 without watching this season in between would likely feel totally lost.

Luke Cage, Jessica Jones, and Iron Fist, by contrast, feel somewhat divorced from their own shows here. They bring a few supporting cast members along for the ride, and it’s a real thrill to see those casts interacting with one another, but you definitely get the sense that, for instance, Jessica will just compartmentalize this whole season as her wacky kung fu adventure and not be affected by it in the slightest going forward. So that’s a bit of a disappointment that the crossover isn’t fully utilized to every main character’s benefit, but this is still a fun MCU team-up that tries its best to rehabilitate Danny Rand after his own disastrous show, and for that we should all be grateful.

★★★☆☆

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TV Review: Marvel’s Jessica Jones, season 1

TV #33 of 2017:

Marvel’s Jessica Jones, season 1

My wife and I watched/rewatched this season respectively before binge-watching the new Defenders season with friends. It remains a really great examination of male privilege and rape culture, using the heightened storytelling language of superpowers to explore those issues. Like the best of the fantasy genre, this season of TV uses external forces to represent internal struggles, and it’s just all-around solid even if the story could probably have been tightened up by an episode or two. Plus, Jessica herself is really really funny! I’m a little worried that the show won’t be as great next season without as perfect a foil as Kilgrave for her to go up against – as The Defenders perhaps showed when she didn’t really get to go through much character growth on that show – but this first outing with her remains superb.

★★★★★

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TV Review: Master of None, season 2

TV #32 of 2017:

Master of None, season 2

On balance, I think this season was about on par with the first one, which I really liked. Some things were even stronger here, such as that standout Thanksgiving episode about Denise, but the love story in this season never really hooked me. I think Francesca was written as too much of a cipher, so it was hard to really get invested in Dev’s feelings for her or to overcome my distaste for the way the two of them were flirting all season when one of the few things we do know about the woman is that she has a boyfriend/fiance. The storytelling went in some really surprising directions, though, and I definitely appreciate that.

★★★★☆

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TV Review: Star Trek: The Next Generation, season 2

TV #31 of 2017:

Star Trek: The Next Generation, season 2

Well, this is a step up from the rough edges of season 1, but it’s still a little uneven. As with the original series (and just, serialized fiction in general), TNG seems to be strongest when it focuses on character work and recurring worldbuilding, rather than throwaway people and places who are never mentioned again. At this point, though, those great qualities are mostly still just popping up for a few minutes at a time in otherwise forgettable episodes.

★★★☆☆

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TV Review: Unbreakable Kimmy Schmidt, season 3

TV #30 of 2017:

Unbreakable Kimmy Schmidt, season 3

It’s weird to say that this season felt less ambitious in its storytelling, since we got fairly major new developments like Kimmy going to college, but somehow it does seem like everyone’s character development has sort of stalled at this point. The show is still reliably funny, but I think it’s reached that comfortable sitcom place where a shakeup is needed to reach true greatness again.

★★★☆☆

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Book Review: Leonard: My Fifty-Year Friendship with a Remarkable Man by William Shatner with David Fisher

Book #176 of 2017:

Leonard: My Fifty-Year Friendship with a Remarkable Man by William Shatner with David Fisher

A touching tribute from William Shatner to his fellow Star Trek alumnus Leonard Nimoy after the Spock actor’s passing in 2015. It’s an inside look at how the two men’s friendship changed over time, and at how the Star Trek phenomenon enabled them to stay in one another’s lives through movie sequels and fan conventions long after most TV castmates would have fallen out of touch. (In one particularly revealing moment, Shatner contrasts his friendship with Nimoy to the one he later shared with James Spader; apparently Shatner felt very close to his Boston Legal costar while they were filming, but has barely spoken to him since their show went off the air in 2008.)

The author draws a lot of interesting parallels between himself and Nimoy, from their shared Jewish heritage to their sputtering acting careers in the time before Star Trek made them household names. It’s ultimately a personal account of one friend mourning another, and you don’t have to be a Trekkie yourself to be moved by this portrait of Leonard Nimoy from someone who knew him best.

★★★★☆

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Book Review: A Thousand Pieces of You by Claudia Gray

Book #175 of 2017:

A Thousand Pieces of You by Claudia Gray (Firebird #1)

The beginning of this book is pretty weak, with a revenge quest that’s hard for readers to care about when we don’t have any emotional connection to the characters yet and a whole lot of infodumping about the technology that enables travel between universes. I really wanted there to be a few chapters at the start to showcase the character relations before betrayal rips them apart and to actually present the events that drive the plot rather than simply having characters allude to those happenings after the fact.

This is a story that rewards readers for pushing through the early rough patches, though, and it develops into a rather creepy tale of sinister plots across parallel worlds, wrapped in a romance that’s only slightly bogged down by the requisite YA love triangle. The universe-hopping is reminiscent of stories like Dark Matter or the TV show Fringe, with the added wrinkle that characters essentially take over the body of their parallel lives, who then gradually reassert themselves over time. There are enough fresh ideas here that I’m glad I didn’t quit and I’m looking forward to reading the rest of the trilogy, but author Claudia Gray really could have used another draft or two of her opening.

★★★☆☆

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