Book Review: The Cooking Gene: A Journey Through African American Culinary History in the Old South by Michael W. Twitty

Book #12 of 2021:

The Cooking Gene: A Journey Through African American Culinary History in the Old South by Michael W. Twitty

An interesting but digressive text, blending personal memoir and genealogical research with an effort to trace the roots of southern cuisine through enslaved and free black traditions. Author Michael W. Twitty’s passion for the project is evident at every point, as is his distinctive perspective as a gay black Jewish chef, and I like his insistence on centering oral histories even when they are not yet supported by any known physical evidence (especially since, as he shows, they often later turn out to be). On the other hand, I find his jumps from topic to topic in this book difficult to follow at times, and am frequently dissatisfied to realize he’s left one narrative thread behind to pick up another with no apparent awareness that the former seems somewhat incomplete. It’s an informative read regardless, full of hard truths about slavery and shamefully obscure details regarding the African American impact on our national palate, but I think I would have preferred a more straightforwardly organized approach.

[Content warning for racism including slurs and mention of rape.]

★★★☆☆

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Book Review: Notes on a Silencing by Lacy Crawford

Book #11 of 2021:

Notes on a Silencing by Lacy Crawford

[CW: sexual assault. I’m not sharing the cover of this book, out of concern that it may be triggering.]

Author Lacy Crawford’s first nonfiction title offers powerful testimony on the way she was treated as an underage girl at a prestigious boarding school in the 1990s: lured to an upperclassman’s room, brutally assaulted by him and another senior, shamed into keeping it quiet, and maligned by an administration that refused to take her eventual report seriously and hold either itself or the attackers accountable. Her tale is distressingly familiar — even at the same academy, further covered-up rapes from students and faculty have since been revealed — and the writer’s afterword directly identifies her experience with that of Christine Blasey Ford, who famously accused then-Supreme Court nominee Brett Kavanaugh of assaulting her as a teen only to see him confirmed to the bench regardless.

There’s no need to relitigate the various arguments put forth in 2018 to attempt to discredit Dr. Ford, but that context is crucial for understanding why Crawford hasn’t previously spoken out publicly about her abuse and why even in this memoir, she uses pseudonyms for her classmates. Despite the widespread #MeToo movement of people sharing their stories and the exhortations to believe women and other victims when they come forward like that, our culture is full of patriarchal contrarians looking to poke holes, as though trauma responses can be expected to function logically, memory for smaller details is perfect, and crimes always leave clear evidence behind.

Perhaps to get ahead of those critiques, the author admits she is not a flawless survivor. She had been sexually active before that night. She foolishly put herself into the situation. She didn’t struggle enough or call out for help. She didn’t tell anyone what had happened right away. She wondered if she had somehow been ‘asking for it.’ Hopefully, however, any reader can see through these early protestations to detect where true culpability lies, as she herself now can.

Accounts like this one are so important, both as part of a lengthy healing process for the teller and to shine a light on the institutions which continue to enable privileged young men in particular to act on their entitlement in horrifying ways without feeling the consequences. Lacy Crawford writes evocatively of her high school years and the long shadow that fell over them, and although it can be hard to face her raw pain head-on, I hope it acts as a deterrence for future silencings and the cruelty they hide.

[Content warning for racism, gun violence, and domestic abuse.]

★★★★☆

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Book Review: Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans

Book #10 of 2021:

Broad Band: The Untold Story of the Women Who Made the Internet by Claire L. Evans

An interesting survey read, albeit with less of a narrative throughline than I would have expected. Author Claire L. Evans presents a history of the internet’s development that focuses on its female pioneers and participants, but there’s little beyond gender linking e.g. the early online bulletin-board communities in one chapter with the designers of computer games for young girls in another.

The best part about this book is how much appears to be original research that the writer has assembled by painstakingly tracking down older netizens to record their memories; the worst is probably how the first third of the text consists largely of well-trodden stories of pre-network thinkers like Ada Lovelace and Grace Hopper (which is not necessarily outside the scope of the project, but does suggest that another title may have been more appropriate for it). As a child of the late 80s, I’ve enjoyed recognizing touchstones of my digital youth herein, but I wouldn’t really call it a definitive account.

★★★☆☆

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Book Review: Down and Out in the Magic Kingdom by Cory Doctorow

Book #9 of 2021:

Down and Out in the Magic Kingdom by Cory Doctorow

Although author Cory Doctorow’s debut novel doesn’t indulge in the patronizing moralism of some of his later works, its edgy nihilism is nevertheless nearly as tiresome. There’s a neat concept here about an “adhocracy” stepping in to keep a beloved theme park running in a post-scarcity, post-corporate, post-death society, but the power struggles that make up the majority of the actual plot often feel petty and cruel. Even my own love of Walt Disney World and enjoyment of finding a story set there can’t save the mess.

This book also has a strong undercurrent of sexism to it, from the century-old protagonist dating a woman a fraction of his age to how she and the other female characters are physically described and frequently end up stripped. I suspect the writer in 2003 may have still been developing his voice and mimicking older genre figures like Heinlein with their own gender issues, but the result is an obnoxious throwback that gets in the way of the interesting ideas it should ideally be showcasing.

[Content warning for suicide and ableism.]

★★☆☆☆

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TV Review: Kim’s Convenience, season 2

TV #3 of 2021:

Kim’s Convenience, season 2

A slight improvement over the first year of this Canadian sitcom, both by making Appa a bit less caustically opinionated and by finally introducing some plot developments at the end of the season that speak to exciting shake-ups ahead. For now, though, it’s a lot of status quo, with little sign of the ongoing storylines or character growth that usually help draw me into a series. (I hate the sense that a show’s episodes could basically be watched all out of order to no detriment or confusion, and that’s roughly the case here.) I’m still enjoying most of these half-hour installments individually, but the program has yet to really wow me as a whole.

★★★☆☆

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Book Review: The Horse and His Boy by C. S. Lewis

Book #8 of 2021:

The Horse and His Boy by C. S. Lewis (The Chronicles of Narnia #3)

This is one of my favorite Narnia installments, in part because it’s an odd misfit even for such a haphazard and eclectic series. The fifth volume to be written, it’s also the first time author C. S. Lewis revisits an earlier era as a prequel (followed thereafter by The Magician’s Nephew, which of course goes back quite further). It’s essentially a “midquel” too, taking place in the portion of his original story The Lion, the Witch and the Wardrobe when the four Pevensie siblings have temporarily grown up to be kings and queens of the realm. And they make an appearance here, but only as very minor characters, which is a delightful refocusing of narrative attention. We barely see any of their proper Narnian demesne either, instead concerning ourselves with the neighboring countries of Archenland and Calormen.

Shasta’s tale there is interesting and exciting, and his gradually thawing relationship with Aravis strikes me as an improved version of what Lewis has previously attempted via the protagonists in The Silver Chair. Moreover, it’s refreshing how little of the customary thinly-disguised Christianity is around for once; I think anyone reading this novel on its own wouldn’t suspect the writer’s usual approach or read into Aslan as a Jesus figure at all. On the downside, the Calormene people and culture represent a bundle of lazy Middle Eastern stereotypes, and it’s hard not to conclude a racist intent behind how their dark-skinned barbarism is portrayed. It turns out the most Christian thing about The Horse and His Boy is the Islamophobia!

In terms of other problematic content, this is a children’s book that opens on slavery and corporal punishment, and later includes references to suicide, incest, child brides, and similar forced marriage. Those elements again separate the text from its fellows, but it’s admittedly heavy material for a swashbuckling adventure that so prominently features a talking horse.

★★★★☆

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Book Review: The Epic Crush of Genie Lo by F. C. Yee

Book #7 of 2021:

The Epic Crush of Genie Lo by F. C. Yee (The Epic Crush of Genie Lo #1)

This is a fun little #ownvoices YA novel, a contemporary fantasy featuring the Chinese folk hero Sun Wukong the Monkey King. I’m not terribly familiar with that character, so I can’t speak to the accuracy of his portrayal here, but my impression is that the story simply brings him and his associates into the present for a new adventure, instead of retelling one of his classic tales. He’s also less of a focus than the titular heroine, a high-achieving sixteen-year-old volleyball player who somehow turns out to be the reincarnation of his magic elongating staff and is initially more interested in college prep than in rejoining his fight against demons.

I’m not a big fan of that Buffy trope that gives a teenage girl a centuries-old romantic interest, but there’s enough of a charming goofiness to both his characterization and the wider plot around these two protagonists that it’s easy to just roll with the premise and enjoy their prickly banter. Debut author F. C. Yee never overloads the exposition, and I’m looking forward to seeing what he does with the Avatar Kyoshi novels he wrote after this.

★★★★☆

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Book Review: Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong by James W. Loewen

Book #6 of 2021:

Lies My Teacher Told Me: Everything Your American History Textbook Got Wrong by James W. Loewen

I have very mixed feelings about this work, which is partly a Howard Zinn sort of attempt to tell a more honest history of America informed by diverse voices and partly an exploration of why the high school textbook industry has gotten so much of it so wrong for so long. That overall mission is critically important, and author James W. Loewen is full of examples from Woodrow Wilson’s racism to Helen Keller’s socialism that could radically change a typical understanding of prominent figures and broader societal trends. I’m definitely on-board for the call to overhaul social studies classrooms, and this title is especially striking for how its survey of popular texts reveals minimal input from actual historians and scant acknowledgement of open questions within the field, as well as, of course, downright falsehoods.

On the other hand: Loewen himself is an academic sociologist with no apparent background in secondary educational pedagogy, and several of his particular complaints about how modern textbooks are structured to include discussion prompts, bolded terms, picture insets, etc. seem questionable at best. I’ve also found him to be a rather insufferable writer, who makes offhand remarks that we can’t hold slavery against Christopher Columbus because it was so common at the time or wonders why his students were reluctant when he tried “to lead them in a sing-along” of a 19th-century ditty prominently featuring the n-word. These out-of-touch asides were already inappropriate in 1995; they certainly should have been edited out of this 2018 third edition, which spends its first 5% — nearly an hour of the audiobook — on a new introduction bragging about how many people have said they love the book over the years. Despite all the pages here attacking the lazy scholarship behind publisher updates, there appears to be little effort put into keeping Lies itself factual and relevant for contemporary audiences.

[Content warning for mention of rape including child rape.]

★★★☆☆

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Book Review: The Space Between Worlds by Micaiah Johnson

Book #5 of 2021:

The Space Between Worlds by Micaiah Johnson

The beginning of this sci-fi epic is a little exposition-heavy, but I’m so glad I pushed through to the heart of the story, which is full of the great characters, big ideas, and exciting action that I so adore in the genre. It’s the tale of a queer woman who can travel to parallel worlds as long as her counterpart there is dead, a mission for which she was expressly recruited as a member of a dark-skinned minority population with a low life expectancy throughout the known multiverse. I love the sharp social commentary built into that premise, as well as how it unfolds in surprising ways as the protagonist navigates political intrigue and spycraft across multiple realities. Cara impersonates different versions of herself, keeps her own counsel about her commanding forces, and faces a succession of familiar friends, enemies, and lovers living lives in which those exact groups are shuffled around without mercy.

I also really admire the worldbuilding, both in the history and cultural details of the heroine’s primary dimension and in the other variants she encounters in her travels. Most narratives of this kind center on a universe recognizably similar to our own, from which we eventually hop into weird alternatives. Debut author Micaiah Johnson removes that safety net for her audience, captivating and daring us not to fall for this foreign setting and the reluctant representative who goes forth from its shadows. I’m so pleased by the ensuing narrative, and while this novel totally works as a standalone adventure, I’d return for a sequel any day.

[Content warning for mention of racism and homophobia.]

★★★★★

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TV Review: The Good Fight, season 2

TV #2 of 2021:

The Good Fight, season 2

Although still not hitting the dramatic heights of its parent series, especially in terms of personal stakes for the protagonist(s), this second year of The Good Fight remains quite riveting. It’s been the tale of high-powered liberal attorneys in the Trump era all along, but the scripts in the first season were largely guessing at what that would be like — and may even have begun altogether differently, depending on when the spinoff got greenlit. This time around, however, the writers definitely see what the country is going through, and they bring that to life more vividly than any other fictional TV show that I can recall. From unqualified judicial appointees to frantic Democratic efforts to pursue impeachment to stochastic terrorism and the sheer horror and confusion of a Trumpian news cycle, these episodes ring true to everything I’ve experienced since the last presidential inauguration. Part of me wishes I had started watching earlier, but the rest of me is glad that I’m only doing so now on the cusp of the Biden administration; this might all have been too much to simultaneously live and watch as entertainment.

Outside of politics, the new subplots like Diane’s microdosing don’t always click for me, but I appreciate that the played-out Rindell scandal isn’t as prominent a focus anymore and I think the casting change behind Liz Reddick’s introduction into the firm is handled about as smoothly as possible. I’m not thrilled with the vigilante attacks on lawyers all season — it feels appropriative of the vitriol that’s actually being thrown at reporters, and the gun violence is a pale retread of Will Gardner’s story on The Good Wife — but it’s an effective throughline for a turbulent period.

The deep bench of characters also continues to amuse, in callbacks to the original program as well as in new actors recently persuaded aboard. Diane Lockhart has now romanced both of Jed Bartlet‘s Vice-Presidents, for instance, and the writing is too cheekily self-aware for that not to have been intentional. I don’t really know where the larger plot goes next, as the finale doesn’t leave many threads conspicuously open, but I trust the strong voice of this production team to maintain their current momentum of quality.

★★★★☆

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