
TV #58 of 2025:
12 Monkeys, season 2
The debut year of this program offered an uneven but promising sci-fi premise of a dystopian soldier and a contemporary doctor working together to try to prevent the pandemic that’s ravaged the planet by his era. It’s a loose reboot of the 1995 Terry Gilliam movie, less concerned about mental illness and ambiguous grips on reality and more focused on the twisty time-travel mechanics. I didn’t always love that initial outing, but I gave it three stars in appreciation of the mad-science Fringe vibes and how the characters deepened over the course of those episodes.
Unfortunately, this second run is a major step in the wrong direction. It starts out by immediately walking back the cliffhangers of the previous finale — despite the implication that the unstable Jennifer Goines would be kicking off the plague by spreading the virus around the world, she’s now revealed to still have the sample in her possession, where it can be safely procured and neutralized (though the outbreak remains on the horizon). Meanwhile, our new lovers had seemingly switched positions, with him stuck in the past and her sent forward to the future. That jolt to the status quo carried great potential and is clearly what the poster depicts, but it’s soon enough discarded too, in lieu of those protagonists both being relocated to 2044 as agents for further missions.
That’s disappointing, but the bigger issue concerns everything that spins out from there. The story grows ever more convoluted, at the cost of any larger moral clarity or legible motivations for anyone. Before, they were fighting to stop the disease from being released and bringing on doomsday. At this point, the talk is instead all on preserving or breaking the timeline itself, which is substantially goofier. The added lore regarding the mysterious Witness, the Monkeys themselves, and the people like Jennifer who somehow maintain the continuum is all a lot to take, but the narrative also fractures on the smaller level of face-to-face interactions. This season is packed with scenes of someone either betraying an ally or suddenly teaming up with an enemy, but it all feels weightless because we aren’t given enough room to let those relationships build up in the first place. Likewise, the worldbuilding rules on how/whether history can be changed at all remain maddeningly ill-defined and inconsistent, which limits the impact of any particular development or character goal.
With only two shorter seasons remaining, I’ll likely continue watching, and it’s not like this is entirely bad. Michael Hogan of BSG and Jay Karnes of The Shield are each a fun if short-lived addition to the cast, and Deacon’s promotion from recurring antagonist to prickly henchman for the heroes reflects a good writing instinct as well. I even like Cassie’s new battle-hardened characterization and that obligatory time-loop episode! But overall, this is a considerably messier effort that I hope doesn’t speak for the rest of the show to come.
[Content warning for racism, homophobia, gun violence, suicide, torture, and gore.]
★★☆☆☆
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